Posthuman Voices: Channels across Time and Shared Memories, Journal of Interdisciplinary Voice Studies, 7:1, pp. 3-9, 2022.
Vocal devising with seashells: An invitation to voicing ‘thelxis’, Journal of Interdisciplinary Voice Studies, 7:1, pp. 69-83, 2022.
‘Humanimal’ voice pedagogy, Theatre, Dance, and Performance Training Blog (TDPT), 6/1/2021.
A singer’s perspective on Sirens and singing: An interview with coloratura soprano/conductor Barbara Hannigan, Journal of Interdisciplinary Voice Studies, 4:1, pp. 101–110, 2019.
The Contemporary Performance Voice: An auditory operation, 2016.
Understanding “Primas” – a pressure/pleasure project, 2016.
The sound of ballet, 2016.
On solitary singing, Walt’s singing princesses, 2016.
The woman-bird sings, similarities in female-song and birdsong, 2016.
Pressure on the Sirens: Combining the portrayal of the classical sirens’ seductive voices in literature with empirical experiments in female vocal attractiveness, 2016.
When Performing “The Siren”: Findings from workshop-based vocal enquiry into the Sirens’ song, 2015.
Sirening and Listening at Sea: The lead vocalists and auditors in the Odyssey 12. 184-91, Peter Pan, or The Boy Who Wouldn’t Grow Up and The Little Mermaid, 2013.
For full access to texts contact Sophia Anna Edlund.